Canon EOS Rebel XS/1000D For Dummies

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Canon EOS DSLRs are unique in the photography industry in terms of their design and manufacturing and, therefore, their performance and value. EOS D is camera product of Canon with advanced technology specially designed for professional photographers and videographers. Camera Assist Get started, get creative and get connected with your Canon camera.

Shoot Full-HD video with manual control over frame rate, exposure and sound. Shop our vast selection of lip balm styles and flavors, as well as our delightful shaving creams and body lotions. Now Only R27, Featuring much of the same spec as the D, but in a slightly smaller body, the EOS D is an ideal option for anybody trying to keep their kit bag on the light side.

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Certain older products may not be officially supported by the current software. De curiozitate am testat si eu software-ul si asa am aflat ca al meu Canon 60D a ajuns la cadre din 13 aprilie si pana in ziua de astazi, asta inseamna ca dupa de zile mi-a iesit o medie de 31 de fotografii pe zi. New you can download canon eos camera info v1. EOS Cameras - Support Download drivers, software, firmware and manuals and get access to online technical support resources and troubleshooting Register a Canon product or view service info.

ShutterCheck reads and decodes shutter information directly from the internal memory of your camera. Firmware Version 1. Join us to show off your stuff on the Cork Board. Register a Canon product or view service info. Mengetahui jumlah Shutter Count kamera dan batas maximal shutter count kamera DSLR sangatlah penting bagi Anda yang mempunyai kamera digital karena dengan mengetahui berapa Shutter Count dari kamera Anda maka Anda akan mengetahui pula umur dari kamera anda tersebut. Canon RF Mount. DriverTuner was created to save your time resolving driver problems by providing you with a single, automatic tool.

The Bad If you shoot both still and video, the T3i's controls can be frustrating to operate, and Externally the Canon EOS D is virtually identical to the D that it replaces, which we reviewed just over two years ago, and to it's more expensive sister model, the equally new EOS D. It vary widely by model. The Canon EOS R is a chunky camera that at first glance could be mistaken for a mid-range DSLR rather than a compact mirrorless model — a design strategy undoubtedly chosen to ease the transition for the DSLR faithful, although one equally suited to handling the surprisingly large native lenses launched with it.

Flickr is almost certainly the best online photo management and sharing application in the world. Play Canon Eos Info and click Connect 7. Free delivery and returns on eligible orders. The only really obvious difference is the larger LCD screen and the chrome plated hotshoe vs. Shutter count canon memang tidak bisa dilihat menggunakan aplikasi Exif online maupun Software seperti Opanda IExif.

Revolving around the new RF lens mount, the EOS R is poised to be the means from which to make the most of a new series of lenses and optical technologies. Skip to main content. The camera is aimed at amateur photographers. Welcome to EOS, the innovation leader in industrial 3D printing As a producer of systems for the additive manufacturing of components in metal and polymers we enable our customers to produce high quality products based on industrial 3D printing technologies.

It will also show the shutter counter for the 5DMkII, but the camera must be power-cycled before the value is updated. Just one of the many great deals in Wi-Fi Cameras. Despite its compact dimensions and fairly modest price, it has a modern sensor and produces great photographs - find out if it's right for you in our full review. Drag-and-drop is supported in Firefox, Chrome, Opera, Vivaldi browser. Pixel pitch is 4. Informations can be read from a USB-connected camera and it provides accurate data that cannot be attainable by for example reading the EXIF.

The product may or may not include the original manual, but access to an English product manual is available via the internet. You expect to get what you ordered and you want to pay a low price for it. The new camera will potentially have a We are an authorised Canon Australia Reseller offering Australia-wide warranty and support. The EOS R boasts of a Renew Your Creative Soul Canon's flagship Rebel, the EOS Rebel T5i camera, is a sophisticated full-featured powerhouse that delivers fast performance - all packed in an ergonomic, stylish body that's ready for anything. As a Canon RF Mount.

Vehicle Info Needed. Both use a brand-new Fixes the following phenomena which may occur when the camera is used in combination with certain lens models equipped with a stepping motor. My question is: how do I find out that this conversion is now available? Since the Canon EOS 6D announcement this morning, we've found some additional resources, samples, and info on the WiFi control software we thought you'd want to know.

Any count which is less than 30, is considered as safe count. Main features. Find low everyday prices and buy online for delivery or in-store pick-up. The body is made from stainless steel and polycarbonate resin with glass fibre. Promising good close focus capabilities and built-in stabilization, is this the perfect lens for EOS R and RP shooters? This is an older model of the Digital Rebel series, but is still popular and sold today.

Video Snapshot technology allows short clips of 2, 4 or 8 sec to be merged into a single movie file, for footage that looks like it was edited professionally, while Movie Digital Zoom permits x magnification. That document is archived here but is not updated. It's a solid camera for the price, but Canon needs to release more low-cost RF-mount lenses to pair with it. Cameras supported by Camera Raw In the meantime you could use the canon software and export the files in the tiff format if you need to open them in photoshop.

Canon EOS Rebel XS/D Camera Features - dummies

No specific info about version 1. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone. The lightweight body comes equipped with Canon's 5. In Canon SLRs, we were already used to a fairly high level of customization, but in EOS R the ability to customize the body is even greater, especially with the addition of the third ring on the RF lens, or with the EF lens ring adapter.

Take a leap towards learning and get inspired by pros and photographers like you! To upload a photo file, click on the button below. With impressive speed, instinctive controls and innovative technologies, the Canon EOS 80D Wi-Fi DSLR is ideal for exploring new areas of photography and achieving the stunning results your creativity deserves. You now have access to benefits that can help you choose right, be safe and stay informed. The retailers I recommend below are the ones I trust for my purchases. Made for professionals, photography fans and video fans as well, this camera functions as well in the studio as on the field.

Price Match Guarantee. Canon EOS Utility. Includes tests and PC download for Windows 32 and bit systems completely free-of-charge. The video, which has been taken down, was first spotted by Canon Rumours, who subsequently Amazon. Informations can be read from a USB-con EOS R series camera owners can choose to have this function removed, and even re-applied if needed later on, with Canon's control ring modification service.

Press the up or down cross key to select File numbering, and then press the Set button. The automated modes are a great way to get a feel for not only using the camera, but also for the image characteristics and quality that the camera delivers. In these modes, all of the exposure elements are set automatically so that you can concentrate on capturing the moment. They give you creative control by enabling you to have partial or full control over some or all of the exposure settings. For example, in Aperture-Priority AE Av mode, you can set the aperture, or f-stop, that you want, and the camera automatically sets the appropriate shutter speed.

In addition, you can control the focus point, the white balance, the drive mode, and much more. When you choose a shooting mode, the mode determines how and what kinds of exposure settings are set by the camera and by you. In addition, these modes determine whether you or the camera sets all or part of the exposure settings, as well as other controls, including the autofocus AF , white balance, shooting speed, and metering mode. Some shooting modes are fully automatic so that all of the exposure settings are set for you.

Other shooting modes are semi-automatic, giving you control over key exposure settings. And Manual M mode gives you control over all of the exposure and other camera settings. The exception is Full Auto mode, which is designated by a green rectangle. These modes give you either partial or full control over the camera settings. When the ISO, f-stop, and shutter speed are set correctly, you get a well-exposed picture.

Here is a brief overview of these elements. If you are new to photography, be sure to read Chapter 6, which gives much more detail about each of the following exposure elements. The ISO setting determines how sensitive the image sensor is to light. A high ISO such as or higher means that the sensor is sensitive to light and less light is needed to make the exposure. A low ISO such as or means that the sensor is less sensitive to light and needs more light to make the exposure. On digital cameras, high ISO sensitivity settings amplify the output of the sensor so that less light is needed.

High ambient temperatures and high ISO settings increase the incidence of digital noise. The aperture determines how much the lens diaphragm expands or contracts to let more or less light into the camera. The diameter of the lens diaphragm opening is determined by the aperture, or f-stop, you select. The shutter speed determines how long the shutter remains open to let light into the sensor.

Shutter speed is most commonly associated with the ability to control how motion is shown in an image and the ability to 21 handhold the camera in low-light scenes. As with aperture, each shutter speed change either doubles or halves the exposure. All of the exposure elements work together. If one changes, then the others change proportionally. As you read about them, keep the exposure summary here in mind because it will help you understand what you can control or expect with each mode. Basic Zone shooting modes The Basic Zone shooting modes are grouped together on one half of the Mode dial and are denoted by pictorial icons and a green rectangle.

The pictorial icons depict commonly photographed scenes or subjects. For example, the mountain icon denotes Landscape mode, which gives exposure settings that provide acceptable sharpness from back to front in the image. Each of the other settings makes similar adjustments to give you a predictable and classic photographic result. Basic Zone modes are often a good choice for making quick shots. For example, when you select Portrait mode, the Rebel sets a wide aperture f-stop to blur the background.

Or, if you are shooting a football game and you want the motion of the players to be crisp and without blur, then choose Sports mode, which sets as fast a shutter speed as possible given the light in the scene. In short, Basic Zone modes are programmed to render the subject that its mode name represents in predictable ways.

This can be a good mode to use for quick snapshots. At ISO , the chance of introducing digital noise increases.

Also remember that in all modes, the lens that you choose enhances your creative control. Digital noise is detailed later in this chapter. Autofocus modes are detailed later in this chapter. The camera also automatically selects the AF point or points. It may choose one or multiple AF points. If you want to control where the point of sharpest focus is set in the image, then it is better to switch to a Creative Zone mode and set the AF point manually. The Rebel also switches to Portrait Picture Style, which is designed to enhance the skin tones.

However, if you use Portrait mode for nature shots, the Portrait Picture Style may render the color less vivid than if you use other modes that use other Picture Styles. In Portrait mode, the camera automatically selects the AF point or points. You can see which AF points the camera chooses when you half-press the Shutter button. Landscape mode Landscape mode is designed to give acceptably sharp focus throughout as much of the frame as possible. It also chooses the fastest shutter speed possible given the amount of light in the scene. In addition, the Rebel may increase the ISO up to It also sets as fast a shutter speed as possible given the light.

This mode produces much the same type of rendering as Portrait mode, but it uses the Standard Picture Style. All lenses have a minimum focusing distance that varies by lens. To ensure sharpness, never focus closer than the minimum focusing distance of the lens. As it does in all Basic Zone modes, the camera uses Evaluative metering to measure the light in the scene to determine the exposure settings.

This mode is good for capturing athletes in mid-air, a player sliding toward a base, or the antics of pets and children. You also have the option to use the second Selftimer. Be sure to use a tripod or set the camera on a solid surface to take night portraits. You should use this mode when people are in the picture, rather than for general night shots, because the camera blurs the background similar to the way it does in Portrait mode. For night scenes without people, use Landscape mode or a Creative Zone mode and a tripod. This means that the camera uses Oneshot AF designed for still subjects, but it automatically switches to the focus tracking mode AI Servo AF if the subject begins to move.

The camera automatically selects the AF point. Then press the Shutter button halfway down to focus, and press it completely to make the picture. While the names of these two modes seem similar, they vary greatly in the amount of control that they allow you. In Full Auto mode, the camera sets the exposure and all other camera settings, such as the AF mode and AF points, the white balance, Picture Style, and more, and you cannot change any of the settings.

Equally important, P mode allows you much more control over camera functions. Shiftable means that you can change programmed exposure by changing or shifting the shutter speed or aperture. When you shift one exposure element, such as the aperture, the camera automatically adjusts other settings to maintain the same or equivalent exposure. You can turn the Main dial to shift the programmed exposure settings to a wider aperture. The camera then automatically adjusts the shutter speed to maintain the 29 same overall exposure.

In these instances, you can increase or decrease the ISO, accordingly. To switch to P mode, follow these steps: 1. Turn the Mode dial to line up P with the white mark on the camera. Tv mode 2. Shutter-priority AE mode, shown as Tv on the Mode dial, is the semi-automatic mode that enables you to set the shutter speed while the camera automatically sets the aperture. Among other things, controlling the shutter speed allows you to freeze subject motion or show it as a blur. Setting a fast shutter speed freezes subject motion, while setting a slow shutter speed shows motion blur. You can also use this mode to ensure that the shutter speed is within handholding limits.

How fast a shutter speed is necessary to avoid camera shake? For details on IS lenses, see Chapter 8. The shutter speeds that you can choose from depend on the light in the scene. To change to Tv mode, follow these steps: 1. Turn the Mode dial to line up Tv with the white mark on the camera. Turn the Main dial to the shutter speed that you want. As you set the shutter speed, the camera sets the aperture automatically. You can switch to a higher ISO or a slower shutter speed.

Av mode is a semiautomatic mode that enables you to control the aperture. In this mode, you change the aperture by turning the Main dial, and then the camera automatically calculates and sets the appropriate shutter speed. The sweet spot is the aperture at which the lens provides the best detail, contrast, and sharpness, and it varies by lens. For details on setting Custom Functions, see Chapter 5. Turn the Mode dial to line up Av with the white mark on the camera. Turn the Main dial to the aperture that you want. The camera automatically sets the shutter speed. Because it takes more time to set all of the exposure settings yourself in M mode, many people prefer to routinely use semiautomatic modes such as Av and Tv.

The indicator shows the best exposure for the scene based on the light metering taken at the currently selected AF point. So in M mode, choose the area of the scene or subject that is critical for good focus. Overexposure from the ideal exposure is shown when the tick mark is to the right of the center mark, and vice versa.

To use Manual mode, follow these steps: 1. Turn the Mode dial to line up M with the white mark on the camera. Press the Shutter button halfway down. Watch the exposure level index as you complete Step 3. You can also set the exposure above to overexpose or below to underexpose the ideal exposure. You then adjust either the aperture or shutter speed until the exposure level that you want is displayed. In A-DEP mode, you cannot control the aperture, shutter speed, AF points, and focus distance, so use a wide-angle lens or move farther away from the subject.

Move back or switch to a wideangle lens or zoom setting. Selecting a Metering Mode To make a good exposure, the camera has to know the amount of light that illuminates the subject or scene. Nonetheless, the meter still assumes that the scene has an average tonality, and it averages the tones to medium gray.

In a snow scene, the result is gray snow. Conversely, in a scene with a large expanse of dark water, the result is gray water. In other scenes, the subject may be positioned against a very dark or very light background. In these cases, averaging the tones produces a less than optimal exposure. Instead of metering the entire scene, you may want the camera to read the light falling only on the subject and to disregard the brighter or darker background. In Creative Zone modes, you can change the metering mode depending on the scene.

The meter analyzes the point of focus and automatically applies compensation if the surrounding areas are much lighter or darker than the point of focus. To determine exposure, the camera analyzes subject position, brightness, background, front- and backlighting, and camera orientation. Evaluative metering produces excellent exposures in average scenes that include a distribution of light, medium, and dark tones. However, in scenes where there is a large expanse of predominantly light or dark areas, In the fully automatic Basic Zone modes, such as Full Auto, Portrait, Landscape, and so on, you cannot change the metering modes.

It is important to know that metering is tied to the AF point that you or the camera selects. When you press the Shutter button halfway down to focus, the camera simultaneously meters the light primarily at that the selected AF point to calculate the exposure. The AF point may or may not be the point of critical metering. Evaluative metering mode is the default for all Basic Zone modes. To select Evaluative metering mode, set the camera to P, Tv, Av, M, or A-DEP mode, press the Metering mode top cross key on the back of the camera, and then press the up or down cross key to select the icon showing a solid dot within a circle within a rectangle.

If pictures are slightly underexposed, the camera automatically corrects them using Auto Lighting Optimizer. Optimization is handy if you print directly from the media card. See Chapter 5 for details on Custom Functions. Partial metering is handy in backlit or side-lit scenes where you want to ensure that the main subject is properly exposed. This metering mode is also useful if the background is much darker than the subject. To select Partial metering mode, press the Metering Mode top cross key button on the back of the camera, and then press the down or up cross key to select the icon showing an empty circle within a rectangle.

Then the camera averages the reading for the entire scene. To select Center-weighted Average metering mode, press the Metering mode top cross key on the back of the camera, and then press the down or up cross keys to select the icon showing an empty rectangle. These options are detailed in the following sections. Auto Lighting Optimization is not a setting that you can adjust manually, and it is used when you shoot in all Basic Zone modes such as Portrait, Landscape, Sports mode, and so on.

While automatic brightening may be handy, it also tends to reveal any digital noise in the image. For example, if you set negative Exposure Compensation detailed later in this section , then Auto Lighting Optimization brightens the image. Press the Menu button, and turn the Main dial until the Set-up 3 yellow menu is displayed. Press the up or down cross key to highlight Custom Functions C. Fn , and then press the Set button. The Custom Functions screen appears.

Press the down cross key to highlight 1: Disable, and then press the Set button. To avoid this, you can use Exposure Compensation. A scene with predominantly dark tones might require -1 to -2 stops of Exposure Compensation to get true dark renderings. In Av mode, it changes the shutter speed. In P mode, compensation changes both the shutter speed and aperture by the exposure amount you set.

Fn details are provided in Chapter 5. You can set Exposure Compensation by following these steps: 1. You cannot set Exposure Compensation in M mode. Then turn the Main dial to the right to lighten the exposure or to the left to darken the exposure. Auto Exposure Bracketing When you set Auto Exposure Bracketing AEB , you take three pictures at three different exposures: one picture at the standard exposure set by the camera, one picture at an increased lighter exposure, and another picture at a decreased darker exposure.

AEB is a way to ensure that at least one exposure in a series of three images is acceptable. For example, if the scene includes bright highlights, the darkest of the three exposures may retain more detail in the highlights than the standard or lighter exposures. Conversely, in a scene with expanses of dark areas or deep shadows, the lighter exposure may provide a better rendering of the scene with more extensive shadow details.

With either setting, you can bracket images up to plus or minus two stops. It is also useful in scenes with contrasty lighting such as a landscape with a dark foreground and a much lighter sky. Fn-5 to Option 1: Disable. In the second and 2-second Self-timer drive modes, the three bracketed shots are taken in succession after the timer interval has elapsed. In Selftimer continuous mode, you get six total shots at the default 2 continuous shots in this mode. You press the Shutter button once to lock up the mirror and another time to make the exposure. The exposure index also shows which of the exposures is currently being made, for example, the decreased exposure.

You can set AEB by following these steps: 1. Press the Menu button, and then turn the Main dial to select the Shooting 2 red menu. Press the up or down cross key to select AEB. The AEB bracketing scale is activated. Press the right cross key to select the bracketing amount. Markers that show increased and decreased exposure settings are displayed on the bracketing scale. You can set bracketing up to plus or minus two stops. In Continuous or Self-timer mode, the three shots are taken by pressing the Shutter button once.

If you shoot RAW capture, there is slightly more latitude because you can recover varying amounts of highlight detail during image conversion. Table 2. You can set AE Lock by following these steps: 1. Select the AF point that you want to use. Point the selected AF point at the part of the scene where you want to set the exposure, and then press the Shutter button halfway down.

Continue to hold the Shutter button halfway down as you press the AE Lock button. The AE Lock button is the left button of the two buttons on the top-right back of the camera and has an asterisk icon above it. You can now release the Shutter button. Move the camera to recompose the shot, half-press the Shutter button to focus on the subject, and then make the picture. A histogram is a bar graph that shows either the grayscale brightness values in the image — from black level 0 to white level — or the Red, Green, Blue RGB brightness levels, along the bottom of the graph.

The vertical axis displays the number of pixels at each location. The histograms are the most useful tools for ensuring that highlights are not blown, or lacking detail, and that shadows are not blocked up, or transitioning too quickly to solid black without detail.

Here is an overview of each type of histogram. Brightness histogram A Brightness histogram shows grayscale brightness values in the image along the horizontal axis of the graph. The values range from black level 0 on the left of the graph to white level on the right of the graph. This histogram shows you the exposure bias and the overall tonal distribution in the image. If the histogram has pixels crowded against the far right side of the graph, then the image is overexposed with a subsequent loss of detail in the highlights. This means that some highlight values are blown out, or totally white with no image detail.

If the histogram has pixels crowded against the far left side of the graph, it indicates blocked shadows, with pixels at 0, or completely black with no detail. In average scenes, good exposure is shown on the histogram with highlight pixels just touching the right side of the histogram. Underexposure, shown by a gap between the pixels and the right side of the histogram, increases the chances of getting digital noise in the image. Overexposure, shown by pixels crowded against the right side of the histogram, means that highlights are blown out.

For example, in scenes that have predominantly light tones, the pixels are weighted toward the right side of the histogram, and vice versa. For a wedding, outdoor shooting, and nature shooting, the brightness histogram can be most useful for evaluating critical highlight exposure. RGB histograms An RGB histogram shows the distribution of brightness levels for each of the three color channels — Red, Green, and Blue — that combine to create color in the image.

The horizontal axis shows how many pixels exist for each color brightness level, while the vertical axis shows how many pixels exist at that level. More pixels to the left indicate that the color is darker and more prominent, while more pixels to the right indicate that the color is brighter and less dense.

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Canon EOS Rebel XS 1000D Digital Field Guide

If pixels are spiked on the left or right side, then color information is either lacking or oversaturated with no detail, respectively. Highlight overexposure is evident in the clouds behind the climbing platform, with no detail remaining in these areas. The histogram is a very accurate tool to use in evaluating JPEG captures.

To display the histogram during image playback, follow these steps: 1. Press the Playback button on the back of the camera. Press the Display Disp. Press the Menu button, and turn the Main dial to select the Playback blue menu. Press the up or down cross key to select Histogram, and then press the Set button. The camera displays the Brightness and RGB options. Press the Display button again to 3. Press the Display button again to display the RGB histograms along with the Brightness histogram, in addition to more limited shooting information.

To set the type of histogram that is displayed during image playback, follow these steps: Setting the ISO Sensitivity Setting the ISO determines the sensitivity of the image sensor to light. At low settings such as ISO , the sensor needs comparatively more light to make an exposure than at a high ISO setting such as To ensure that images retain detail in the brightest highlights, you can use one of the exposure techniques described in this chapter, such as AE Lock or Exposure Compensation. In everyday shooting, this means biasing the exposure slightly toward the right side of the histogram, resulting in a histogram in which highlight pixels just touch, but are not crowded against, the right edge of the histogram.

With this type of exposure, the image preview on the LCD may look a bit light, but in a RAW conversion program, you can bring the exposure back slightly. And the result of digital noise, depending on the appearance and severity, is an overall loss of resolution and image quality. Fn-3 Long-exposure noise reduction and C. Fn-4 High ISO speed noise reduction. See Chapter 5 for details on each of these Custom Functions and how to set them. To compare the results, view the images at percent enlargement in an image-editing program, and then compare the shadow areas.

Turn the Main dial to the ISO setting you want. ISO options include Auto the camera automatically selects an ISO between and and individual settings from to Selecting AF Modes and Getting Sharp Focus In addition to good exposure, the success of a picture also depends on getting tack-sharp focus for both still and action subjects.

This mode is designed for still subjects. You can then either select the AF point yourself, or have the camera select it automatically. This mode is designed for still subjects that may begin to move. This mode is good for photographing wildlife, music concerts, events, and children at play. This mode tracks focus on moving subjects and locks focus and exposure at the moment you take the picture. If the AF point is automatically selected by the camera, it uses the center AF point and tracks the subject as it moves across all seven AF points.

To change AF modes in Creative Zone modes, ensure that the lens is set to AF autofocus , and then follow these steps: 1. Press the AF right cross key button on the back of the camera. The AF mode screen appears. Press the right or left cross key to change the AF mode, and then press the Set button.

Improving Autofocus Accuracy and Performance Autofocus speed depends on factors including the size and design of the lens, the speed of the lens-focusing motor, the speed of the AF sensor in the camera, the amount of light in the scene, and the level of subject contrast. Here are some tips for improving overall autofocus performance.

In low-light scenes, the autofocus performance depends in part on the lens speed and design. But regardless of the lens, the lower the light, the longer it takes for the system to focus. Low-contrast subjects and subjects in low light slow down focusing speed and can cause autofocus failure. This is controlled by the Custom Function, C. The longer the lens, the longer the time to focus.

This is true because the range of defocus is greater on telephoto lenses than on normal or wide-angle lenses. You can improve the focus time by manually setting the lens in the general focusing range, and then using autofocus to set the sharp focus. Focusing on low-contrast subjects is slower than on highcontrast subjects. Using an EF Extender reduces the speed of the lens-focusing drive.

The camera focuses on the subject and maintains focus during subject movement. The exposure is set at the moment the image is captured. Continuous shooting Same as One-shot AF mode during continuous shooting. Same as for One-shot shooting, with AF continuing during continuous shooting.

As mentioned previously, the AF point that you or the camera selects is also the point at which the camera meters the light in the scene and determines its ideal exposure. If you opt to have the camera automatically choose the AF points, be aware of how it determines what to focus on in the scene. This may or may not be 49 the area that should have the point of sharpest focus. Because sharp focus is critical to the success of any image, you can switch to a Creative Zone mode and manually select a single AF point.

You can manually select the AF point by following these steps: 1. Press the AF Point Selection button on the back upper-right corner of the camera. The AF Point Selection button has an icon below it that shows a plus sign inside a magnifying glass. This is the technique where you lock focus on the subject, and then move the camera to recompose the image. In my experience, however, the focus shifts slightly during the recompose step, regardless of which AF point is selected.

As a result, focus is not tack-sharp. Some Canon documents concede that at distances within 15 feet of the camera and when shooting with large apertures, the focus-lock-and-recompose technique increases the chances of back-focusing. Back-focusing is when the camera focuses behind where you set the AF point. But manually selecting one AF point, locking focus, and then not moving the camera is the best way that I know to ensure tack-sharp focus in One-shot AF mode. You can also use the cross keys to select an AF point. If you want to control the point of sharpest focus in the image, then do not choose this option.

Rather, choose an option where only one AF point is highlighted. To quickly move to the center AF point, press the Set button once. In Basic Zone modes, the camera automatically chooses the drive mode. You can select the drive mode in all Creative Zone modes. In this mode, you can shoot 3. Move the camera so that the AF point you selected is over the point in the scene that should have sharp focus, press the Shutter button halfway down to focus on the subject, and then press it fully to make the picture.

However, in One-shot AF mode, the camera only focuses once during the burst. Self-timer modes In Self-timer modes, the camera delays making the picture for 10 or 2 seconds after the Shutter button is fully depressed. In addition, you can use second delay plus Continuous shooting. Using the or 2-second Selftimer modes is a great way to avoid camera shake from pressing the Shutter button during long shutter-speed shots.

On the Drive mode screen, this mode is depicted as a stopwatch with the numeral 10 beside it. This mode is useful when you want to be in the picture with others because it gives you time to move into the group. It can be combined with Mirror Lock-up C. On the Drive mode screen, this mode is depicted as a stopwatch with the numeral 2 beside it. In this mode, you can choose to have the camera take two to ten sequential shots, each with a second delay.

In 2-second Self-timer mode, the Self-timer lamp lights continuously with a fast beep being sounded. To change the drive mode, follow these steps: 1. Press the Drive Mode button the left cross key on the back of the camera. The Drive mode screen appears.

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Press the right or left cross key to select the mode you want. The following sections describe viewing options and suggestions for using each option. Press the Menu button. Turn the Main dial to select the Shooting 1 red menu, and then press the down cross key to select Review time. The Review time options appear. Press the down cross key to select Off, 2, 4, 8, or Hold. The numbers indicate the number of seconds that the image displays. Canon sets the initial display time to 2 seconds, hardly enough time to move the camera from your eye and to see the image preview.

The display time is intentionally set to 2 seconds to maximize battery life, but a longer display time of 4 seconds is more useful. You can also choose to set the Hold option to display the image until you dismiss it by lightly pressing the Shutter button. To turn on image review, press the Playback button on the back of the camera.

If you want to change the length of time that images display on the LCD, follow these steps: the Shutter button to return to shooting. This display is handy when you need to ensure that you have a picture of everyone at a party or event, or to quickly select a particular image on a card that is full of images. To turn on the Index Display, follow these steps: 1. This button has an asterisk displayed above it. Press the cross keys to move among the images. The selected image has a blue border. Press the Set button again to resume Auto play. Press the Magnify button up to 15 times to magnify the image.

A rectangular cursor appears in this view. Press the Shutter button to cancel the display. You can turn on Auto play by following these steps: 1. Press the Menu button, and then turn the Main dial to select the Playback blue menu. Press the down cross key to select Auto play. Images are displayed in the display mode that you last used. For example, if you displayed images with the Brightness histogram, they are displayed in this mode during Auto play.

Images display sequentially and in a continuous loop until you press the Shutter button to stop the slide show. You can pause the automatic display by pressing the Set button. A Pause icon appears in Using the Display Disp. In Single-image playback mode, press the Display button once to display basic shooting information overlaid on the image preview. Press it again to display shooting information, a small image preview, and the Brightness histogram.

Press it again to display abbreviated shooting information, an image preview, and both the RGB and Brightness histograms. Press it once more to return to an image display with the top ribbon of shooting information. You can use the cross keys to move forward and back through pictures in this display. During playback, you can press the up cross key to display a jump bar that enables you to move forward and back among images by 10 or images at a time, or by date. To choose the jump method, press the up or down cross key to select the increment you want. Then you can turn the Main dial to browse through images.

To return to single-image browsing, press the left or right cross key. For that reason, you should erase images with caution. If you want to delete an image, follow these steps: 1. Press the Playback button on the back of the camera, and then press the left and right cross keys to select the picture that you want to delete. Press the Erase button, and then press the right cross key to select Erase. Press the Set button to erase the image. When the access lamp stops blinking, lightly press the Shutter button to continue shooting.

Protecting Images 2. Press the up or down cross key to select Protect images, and then press the Set button. The last image taken is displayed on the LCD with a protection icon in the upper-left corner. Press the Set button to protect the displayed image. A protection icon denoted by a key appears in the display above the thumbnail display. Press the left or right cross key to scroll to other images that you want to protect, and then press the Set button to add protection to the images. If you want to remove protection, scroll to a protected image, and then press the Set button.

Protection is removed and is indicated by the protection icon being removed. On the other end of the spectrum from erasing images is the ability to ensure that images that you want to keep are not accidentally deleted. When you have that perfect or once-in-a-lifetime shot, you can protect it to ensure that it is not erased.

Dust spots on the image sensor inevitably appear as dark spots on your images. You can protect an image by following these steps: 1. You can suspend automatic cleaning by pressing the Shutter button. Dust Delete Data can be updated at any time, and you can stop the camera from appending the data to images if you want. To manually initiate sensor cleaning, follow these steps: 1. Press the Menu button, and then turn the Main dial to select the Set-up 2 yellow menu. Press the down cross key to select Sensor cleaning, and then press the Set button.

The Sensor cleaning screen appears. Select it and then press the Set button. On the Auto cleaning screen, press the right cross key to select Disable, and then press the Set button. This open cleans the sensor when it is selected. Select it and press the Set button to select OK on the Clean now screen. If the camera is in a Creative Zone mode, you can select this option.

Before choosing this option, ensure that the battery has a full charge. Obtaining Dust Delete Data For larger, sticky dust particles, you can determine the size and location of dust by taking a picture of a white piece of paper. Press the up or down cross key to select the option you want. Ensure that the paper is evenly lit by any light source. On a zoom lens, the focal-length settings are displayed on the lens ring. Turn the lens ring to a focal length of 50 or higher. To obtain Dust Delete Data, follow these steps: 1.

Press the Menu button, and then select the Shooting 2 red tab. Press the down cross key to select Dust Delete Data, and then press the Set button. The Dust Delete Data screen appears. Press the left cross key to select OK, and then press the Set button. The camera initiates the automatic sensor self-cleaning. A message appears with the last date that data was obtained. Select OK by pressing the Set button. The Shooting menu appears. Start Digital Photo Professional, and then navigate to the folder that contains images with Dust Delete Data appended.

Select an image, and then click in the Edit image window in the toolbar. The image-editing window appears. On the menu, click Tools, and then click Start Stamp tool. A new window appears with the image and a tool palette on the right side. Click Apply Dust Delete Data. Click OK. You can repeat these steps to apply the Dust Delete Data to the remaining images in the folder.

You can also choose a color space that supports one of two ranges of colors. In this chapter, you learn how to make the most of each color option, as well as learning some useful techniques for ensuring accurate color. About Color Spaces You may have seen the color space options on the camera menu and wondered what they are. The spikes on the left and right indicate potential clipping or discarding of pixels in the shadows and highlights respectively.

Spikes on the left and right of the histogram indicate colors that will be clipped, or discarded, from the image. For details on evaluating histograms, see Chapter 2. Much more image data is retained by using the wider Adobe RGB color space. Also, Adobe RGB is the color space of choice for printing on both inkjet and commercial printers, although some commercial printing services use sRGB.

However, for images destined for online use in e-mail or Web display, sRGB provides the best online color. Then, when an image is needed for the Web or e-mail, you can make a copy of the image and convert it to sRGB in an image-editing program such as Photoshop or Photoshop Elements.

Notice that the highlights and shadows no longer clip. Press the up or down cross key to highlight Color space, and then press the Set button. The camera displays two color space options. Choosing White Balance Options Using white balance settings can help you spend less time color-correcting images on the computer and more time shooting.

If you shoot RAW images, you can set or adjust the white balance in the RAW conversion program after the image is captured. Table 3. White balance settings tell the camera what type of light is in the scene so that the camera can render colors accurately in images. With the Daylight White Balance setting, the colors are accurate and natural.

The exposure is the same for the next series of images. The image has a noticeable blue tint because the white balance setting did not match the light temperature in the scene. Light temperature is measured on the Kelvin scale and is expressed as Kelvin K. Once the camera knows the light temperature, it can render white as white. Approaches to using various white balance options 3. However, as you shoot, watch the image histograms for oversaturation in any of the color channels, particularly when using the Standard or Landscape Picture Styles. You may want to change the parameters of the Picture Style or use another Picture Style.

Setting a custom white balance is an option that produces very accurate color because the white balance is set precisely for the light in the scene. To use this option, you photograph a white or gray card and select the image in the camera; then the camera imports the color data and uses it to set the 65 color temperature for images. But if the light changes, you have to repeat the process to set a new custom white balance or switch to a preset white balance.

For RAW capture, this and other techniques work well. Getting Accurate Color with RAW Images If you are shooting RAW capture, a great way to ensure accurate color is to photograph a white or gray card that is in the same light as the subject, and then use the card as a point of reference when processing RAW images on the computer. When you begin converting the RAW images on the computer, open the picture that you took with the card. Click the card with the white balance tool to correct the color, and then click Done to save the corrected white balance settings. In a few seconds, you can color-balance 10, 20, 50, or more images.

The least expensive option, and one that works nicely, is a plain, white unlined index card. To change to a preset white balance option such as Daylight, Tungsten, Shade, and so on, follow these steps: 1. Press the WB button on the back of the camera. The White balance screen appears. Press the left or right cross key to select a white balance setting. Because I shoot RAW capture, I alternate between setting a custom white balance and shooting a white card so that I can colorbalance groups of images during RAW conversion.

Just remember that if light changes, you need to set a new custom white balance to get accurate color. Set a custom white balance Scenes in which there is a mix of lighting, such as tungsten and daylight, can make getting accurate or visually pleasing image color a challenge. Two options work well to get neutral color quickly in mixed lighting scenes.

The second option is to set a custom white balance. To check the Picture Style, press the Picture Style button the down cross key on the back of the camera. The Picture Style screen is displayed. If the M Monochrome Picture Style is highlighted, press the left or right cross key to select another style except for 1, 2, or 3, and then press the Set button.

If the camera cannot focus, switch the lens to MF manual focus and focus on the paper. Also ensure that the exposure is neither underexposed nor overexposed such as by having Exposure Compensation set. For this picture, you can have the camera set to any of the preset white balance settings. Press the Menu button, and then press the left cross key to select the Shooting 2 red menu. Press the up or down cross key to highlight Custom WB, and then press the Set button. The camera displays the last image captured the white piece of paper with a Custom white balance icon in the upper left of the display.

If the image of the white paper is not displayed, press the left cross key until it is. Press the right cross key to highlight OK, and then press the Set button. A screen appears, reminding you to set the white balance to Custom. Press the WB button on the back of the camera, and then press the right cross key to select Custom White Balance.

The Custom White Balance setting is denoted by text and an icon with two triangles on their sides with a black square between them. The white balance bracketed sequence gives you three images from which to choose the most visually pleasing color. Bracketing also slows the process of writing images to the SD Secure Digital card. To set White Balance Auto Bracketing, follow these steps: 1. Press the Menu button, and then press a cross key until the Shooting 2 red menu is selected.

As you turn the Main dial, three squares appear and the distance between them increases as you continue to turn the dial. The distance between the squares sets the amount of bias. On the right side of the screen, the camera indicates the bracketing direction and level under BKT. You can set up to plus or minus three levels of bias. The Shooting 2 red menu appears. Lightly press the Shutter button to dismiss the menu.

If you do this, a total of nine images are taken for each shot. When you set a color shift or bias, it is used for all images until you change the setting. The shift is intentionally exaggerated here for the printed book. To set White Balance Correction, follow these steps: 1. Press the up or down cross key to 3. The colors are neutral but lack warmth. Press a cross key to set the color bias and amount that you want — toward blue, amber, magenta, or green. Visualize heating an iron bar. As the bar is heated, it glows red.

In this spectrum of light, color moves from red to blue as the temperature increases. But in the world of color temperature, blue is, in fact, a much higher temperature than red. For example, A2, G1 shows a two-level amber correction with a one-level green correction. If you change your mind and want to start again, press the Disp.

Figures 3. The images in this next sequence were shot using custom white balance. Color is neutral with a lower overall contrast than the Standard Picture Style; however, it provides very pleasing color. The color saturation and sharpness are much more subdued, but this leaves latitude for RAW conversion adjustments and editing in Photoshop.

This style is colorimetrically adjusted to K with low color saturation. Level zero applies no sharpening and renders a soft look. Using a high range of sharpening can introduce sharpening halos, particularly if you also sharpen after editing and sizing the image in an image-editing program.

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The important thing to 3. Choosing and customizing Picture Styles is how you get the kind of color results out of the camera that you need, whether you prefer the higher contrast and saturation look of the Standard style, or the more neutral saturation and color rendition of the Neutral and Faithful styles. A positive setting increases the contrast and can clip tones. Negative adjustments to color tone settings produce redder skin tones while positive settings produce yellower skin tones. Default settings are listed in order of sharpness, contrast, saturation, and color tone.

No sharpness applied. For example, a zero Contrast setting on Standard would correspond to a zero setting on the Portrait Style. You can choose a Picture Style by following these steps: 1. Press the Picture Style button on the back of the camera. The Picture Style screen appears with the current Picture Style highlighted. The screen also shows the default setting for the style to the left. Press the up or down cross key to highlight the Picture Style you want, and then press the Set button. Additionally, you can create up to three Picture Styles that are based on an existing style.

You can try this variation and modify it to suit your preferences for image rendering. To modify a Picture Style, follow these steps: 2. Press the up or down cross key to highlight Picture Style, and then press the Set button. The Picture Style screen appears with a list of the preset Picture Styles.

Press the up or down cross key to highlight the Picture Style you want to modify, and then press the Disp. The Detail set. Press the Set button to change the Sharpness parameter that is selected by default. The Sharpness control is activated. Press the left or right cross key to change the parameter, and then press the Set button. For all the parameter adjustments, negative settings decrease sharpness, contrast, and saturation, and positive settings increase sharpness, contrast, and saturation. Negative color tone settings provide reddish skin tones, and positive settings provide yellowish skin tones.

Press the down cross key to move 1. The camera activates the control. Press the left or right cross key to adjust the parameter, and then press the Set button. Repeat Steps 6 and 7 to change additional parameters. The 3. Picture Style screen appears where you can modify other Picture Styles. Press the Set button to return to the Shooting 2 red menu, or lightly press the Shutter button to dismiss the menu. For example, you might want to create your own Picture Style for everyday photography that is less contrasty than the Standard Picture Style.

Press the down cross key to select Picture Style, and then press the Set button. The Picture Style screen appears. Press the down cross key to scroll down and highlight User Def. User Def. Press the up or down cross key to select a base Picture Style, and then press the Set button. Press the down cross key to highlight the Sharpness parameter, and then press the Set button.

Press the left or right cross key to set the parameter and then press the Set button. Repeat Steps 6 and 7 to change the remaining settings. The remaining parameters are Contrast, Saturation, and Color tone. Press the Menu button to register the style. The Picture Style selection screen appears. The base Picture Style is displayed to the right of User Def. If the base Picture Style parameters were changed, then the Picture Style on the right of the screen is displayed in blue.